As part of the exhibition, audio selections of Wilson's writing are read by Derek Scott, Community Consultant:
- Apprenticeship: Ed Wilson, "A Statement," Arts and Society 5, no. 3 (The Arts and the Black Revolution) (Fall / Winter 1968): 411-417.
- Minority Man II: Ola Maie Foushee, “Art in North Carolina: Four Honors Come to Durham Sculptor,” Durham Morning Herald (November 22, 1959): B3
- Candace: Ola Maie Foushee, “Art in North Carolina: Four Honors Come to Durham Sculptor,” Durham Morning Herald (November 22, 1959): B3
- The Invisible: Tom Cawley, “Sculptor Depicts Desolate Mankind,” Press (May 28, 1968): B1 and 4.
- Birmingham Genesis: Ed Wilson, "A Statement," Arts and Society 5, no. 3 (The Arts and the Black Revolution) (Fall / Winter 1968): 411-417.
- Study on Violence: Ed Wilson, unpublished notebook during his summer in Harlem, 1968
- Figure Study: Ed Wilson, "A Statement," Arts and Society 5, no. 3 (The Arts and the Black Revolution) (Fall / Winter 1968): 411-417.
- Blue Notes: Ed Wilson, "A Statement," Arts and Society 5, no. 3 (The Arts and the Black Revolution) (Fall / Winter 1968): 411-417.
- Ralph Ellison: Nkiru Nzegwu, “WILSON, Ed(ward N., Jr.),” in St. James Guide to Black Artists, ed. Thomas Riggs (Detroit: St. James Press, 1997), 576.