• Home
  • Introduction
  • Apprenticeship to Sculpture
  • Allegories of Modern Alienation
    • Seven Seals of Silence
    • Second Genesis
  • Black Monuments
    • Jazz Musicians
    • Homage to Duke Ellington
    • Ralph Ellison
    • Martin Luther King Memorial
  • Family and Friends
  • Additional Works
  • Map: Wilson's Life + Art
  • Oral Histories
  • Ed Wilson: Life and Work
    • The B.C. Open Trophy
    • Ed Wilson: Sculpture (1966)
    • Recent Works II (1972) - faculty exhibition
    • Wilson's Writing
    • Wilson’s Studio
    • Wilson’s Library
    • Wilson as Teacher
  • Exhibition Photographs
  • Spotify Playlist
Skip to main content
  • Home
  • Introduction
  • Apprenticeship to Sculpture
  • Allegories of Modern Alienation
    • Seven Seals of Silence
    • Second Genesis
  • Black Monuments
    • Jazz Musicians
    • Homage to Duke Ellington
    • Ralph Ellison
    • Martin Luther King Memorial
  • Family and Friends
  • Additional Works
  • Map: Wilson's Life + Art
  • Oral Histories
  • Ed Wilson: Life and Work
    • The B.C. Open Trophy
    • Ed Wilson: Sculpture (1966)
    • Recent Works II (1972) - faculty exhibition
    • Wilson's Writing
    • Wilson’s Studio
    • Wilson’s Library
    • Wilson as Teacher
  • Exhibition Photographs
  • Spotify Playlist
  • Ed Wilson: Life and Work
  • Wilson's Writing

As part of the exhibition, audio selections of Wilson's writing are read by Derek Scott, Community Consultant:

  • Apprenticeship: Ed Wilson, "A Statement," Arts and Society 5, no. 3 (The Arts and the Black Revolution) (Fall / Winter 1968): 411-417. 
  • Minority Man II: Ola Maie Foushee, “Art in North Carolina: Four Honors Come to Durham Sculptor,” Durham Morning Herald (November 22, 1959): B3
  • Candace: Ola Maie Foushee, “Art in North Carolina: Four Honors Come to Durham Sculptor,” Durham Morning Herald (November 22, 1959): B3
  • The Invisible: Tom Cawley, “Sculptor Depicts Desolate Mankind,” Press (May 28, 1968): B1 and 4.
  • Birmingham Genesis: Ed Wilson, "A Statement," Arts and Society 5, no. 3 (The Arts and the Black Revolution) (Fall / Winter 1968): 411-417. 
  • Study on Violence: Ed Wilson, unpublished notebook during his summer in Harlem, 1968
  • Figure Study: Ed Wilson, "A Statement," Arts and Society 5, no. 3 (The Arts and the Black Revolution) (Fall / Winter 1968): 411-417.
  • Blue Notes: Ed Wilson, "A Statement," Arts and Society 5, no. 3 (The Arts and the Black Revolution) (Fall / Winter 1968): 411-417. 
  • Ralph Ellison: Nkiru Nzegwu, “WILSON, Ed(ward N., Jr.),” in St. James Guide to Black Artists, ed. Thomas Riggs (Detroit: St. James Press, 1997), 576.
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Ed Wilson: The Sculptor as Afro-Humanist is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0). All copyrights for the content in the site are retained by their owners.